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The Ladyboy Agenda - Lana Wachowski TG Film Director Speech


randiuno

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i just discovered Lana's speech as i consider seeing 'cloud atlas', which --despite an astute cinephile friend's describing it as a 'too-long piece of shit'-- i will now see asap.

i just signed in to LBR to post a link to the speech when i found Randi was already all over it. :happy0065:

for those w/no video access/interest/time, here's a link to the transcript. it's *definitely* worth a read:

http://www.hollywoodreporter.com/news/lana-wachowskis-hrc-visibility-award-382177

:character00218:

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just saw 'cloud atlas' tonight. gigantic epic impressive filmmaking.

i confess i was lost much of the time, but it was the fastest 3hour film i've seen since lawrence of arabia.

btw, here's another link to the impressive speech by the tg director (the one above didn't work for me):

http://www.hollywoodreporter.com/news/lana-wachowski-reveals-suicide-plan-382169

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I watched Lana's speech this morning, and really enjoyed it. She's one hell of a funny girl, and a great talker (as she says). Well worth the 10 minutes I spent watching it.

Went to see Cloud Atlas tonight, here's a few thoughts.

First, I went to see it in Imax. But the theater I saw it in wasn't truly an Imax theater. Instead of the super large film format (larger than 70mm) that Imax was founded on, this was an Imax "DLP" theater - it used digital light projection instead of film, so it was playing a digital copy of the movie with no "film" per se. And it sucked. There were visible pixels, and the usual razor-sharp Imax image was noticeably fuzzy. Letters, as in the opening credits, were like watching an old NTSC tube television. I was shocked. I'd been hoodwinked, as the theater complex also includes the REAL Imax theater that I've seen all my favorites at, but it was showing something different and we were shuttled off to this smaller theater that uses the DLP process instead. I spent the first 20 minutes wondering if it was worth demanding a refund and leaving, but figured I'd never get around to getting to another theater to see it if I did. If you have the chance, see it either in TRUE Imax or in a 35mm projection, but make sure you don't get suckered into this DLP bullshit.

Second, I loved the movie. It definitely took some getting used to, and the idea of having all the cast play various characters in different time periods (and sometimes different races and genders) took a while to begin working. At first, I couldn't help but be distracted by the makeups and accents. But once it got going, it actually became fun working out who was who.

To be honest, I didn't know what was happening or what was being said about 1/3 of the time, but it didn't spoil my enjoyment.

The result was that I was actually moved by the denouement, and loved the message. I loved the overlapping stories and the score was amazing, as was the script. The reference to Soylent Green was great, and obviously was well-placed as it actually figured into the movie in 2 places.

One of my favorite moments was one that I think went unnoticed by most of the audience. Keith David (below) is one of my favorite character actors, and plays a security specialist in the 1970's portion. The film leaps forward in time and you see he's playing the leader of the future rebellion. But if you look very closely, you'll notice it's not him - it's actually Tom Hanks, in makeup as him, with Keith David's voice dubbed in. Bizarre but cool.

If you cannot suspend disbelief, the makeups and character shifts will kill you. But if you can see beyond that conceit, it's one heck of a ride.

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